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The following "Timeless Design Ideas" have been extracted, with permission, from Christopher Alexander et al., A Pattern Language: Towns, Buildings, Construction (Oxford University Press, New York, 1977).
"If the right rooms are facing south, a house is bright and sunny and cheerful; if the wrong rooms are facing south, the house is dark and gloomy."
"Create alternating areas of light and dark throughout the building, in such a way that people naturally walk toward the light, whenever they are going to important places: seats, entrances, stairs, passages, places of special beauty, and make other areas darker, to increase the contrast." When they have a choice, people will always gravitate to those rooms which have light on two sides, and leave the rooms which are lit only from one side unused and empty."
"A building in which the ceiling heights are all the same is virtually incapable of making people comfortable."
"Rooms without a view are prisons for the people who have to stay in them."
"A first principle of construction: on no account allow the engineering to dictate the building's form. ... Never modify the social spaces to conform to the engineering structure of the building."
"Give each person, especially as he grows old, the chance to set up a workplace of his own, within or very near his home. Make it a place that can grow slowly, perhaps in the beginning sustaining a weekend hobby and gradually becoming a complete, productive, and comfortable workshop."
"Make a place in the house, perhaps only a few feet square, which is kept locked and secret; a place which is virtually impossible to discoveruntil you have been shown where it is. A place where the archives of the house, or other more potent secrets, might be kept."
"Children love to be in tiny, cave-like places."
"If a teenager's place in the home does not reflect his need for a measure of independence, he will be locked in conflict with his family."
"People cannot work effectively if their workspace is too enclosed or too exposed. A good workspace strikes the balance."
"To strike the balance between the kitchen which is too small, and the kitchen which is too spread out, place the stove, sink, and food storage and counter in such a way that 1. No two of the four are more than 10 feet apart. 2. The total length of counterexcluding sink, stove and refrigeratoris at least 12 feet. 3. No one section of the counter is less than 4 feet long."
"Dark gloomy kitchens are depressing. The kitchen needs the sun more than the other rooms, not less."
"One of a window's most important functions is to put you in touch with the outdoors. If the sill is too high, it cuts you off."
"Put in fully glazed fixed windows between rooms which tend to be dead because they have too little action in them or where inside rooms are unusually dark."
"If possible, recess at least a part of ... [your balcony] ... into the building so that it is not cantilevered out and separated from the building by a simple line, and enclose it partially."
"Outdoors, people always try to find a spot where they can have their backs protected, looking out toward some larger opening, beyond the space immediately in front of them."
"In the climates where fruit trees grow, the orchards give the land an almost magical identity."
"When trees are planted or pruned without regard for the special places they can create, they are as good as dead for the people who need them."
"Form some kind of enclosure to protect the interior of a quiet garden from the sights and sounds of passing traffic."
"Trellised walks have their own special beauty. They are so unique, so different from other ways of shaping a path, that they are almost archetypal."
"The easiest way to harness solar energy is the most obvious and the oldest: namely, to trap the heat inside a greenhouse and use it for growing flowers and vegetables."
"Somewhere in every garden, there must be at least one spot, a quiet garden seat, in which a personor two peoplecan reach into themselves and be in touch with nothing else but nature."
"Make a quiet place in the gardena private enclosure with a comfortable seat, thick planting, sun. Pick the place for the seat carefully; pick the place that will give you the most intense kind of solitude."
| Extracted with permission from Christopher Alexander et al., A Pattern Language: Towns, Buildings, Construction(Oxford University Press, New York, 1977). |
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